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Christine (Sandy McLeod), a bright and unassuming young woman, takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, Christine soon develops an obsession that begins to consume her life. The character’s reaction unexpectedly flips normal gender roles; director Gordon daringly twists feminist ideology by showing a woman who finds self-expression through an interest in pornography. Variety becomes even more provocative when it dramatizes the changes that occur in Christine’s relationships with both Mark (Will Patton), her boyfriend, and Louie, a dangerous-looking patron of the theater.
Dead bodies are piling up, and the leads the two LA homicide cops have point to Barbara, business manager for a successful architectural firm she runs with her husband Lance. The dead men were interns at the firm, and each of them was Barbara's lover (kept in a classy flat she owns and observed via closed-circuit TV by the applauding Lance). Kyle is Barbara's latest intern and lover, and he may be in danger. He also starts to fall in love with Barbara, and the feeling may be mutual. In the background are Erin, Lance and Barbara's myopic administrative assistant, and Tony, Kyle's one-time roommate who also knows Barbara. Can the cops solve this before too many more die?