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A possessed young girl from an atheist family refuses to let her new powers go and becomes more than a threat to everyone besides her.
On leaving work, while Darío Manzano is taking drugs in the car, he receives an unexpected visit from Ginés Chega. At the same time that he points a gun at Darío´s face, he asks about his friend Abraham "El Gitano", whom he accuses of having stolen a lot of money.
Manzano, without knowing what happened, cannot answer anything about it, and Ginés angrily gives Darío a head butt on the nose while threatening him and leaves.
Darío with a broken nose, starts looking for his friend. When he finally finds him, very angry, he reproaches Abraham for stealing from Los Chega, very dangerous people. Trying to find a solution, Darío decides to take Abraham to France so that they will not find him.
That night, during the car journey, Darío suffers a stroke that will cause him to lose control, leaving the road and causing the death of Abraham.
After a few months, the advances in Darío's rehabilitation begin to show results. But everything begins to go wrong due to the accumulation of different events that will put Darío and his family in trouble: defaults with the bank, tensions between them and the imminent sentence of the trial for the accident. To this is added, the pressure from Los Chega to Darío to recover his lost money, since the night of the robbery, Abraham was in the car with Manzano when he suffered the accident.
As a consequence of this, Manzano will live a few hours prior to his entry into prison frantic and full of danger, where he will try to defend, TO THE TEETH OF A DOG, his family.
An LGBT-themed horror film set in a rural town in the Philippines. A remote village is gripped with fear. Its residents are missing one by one. Now a young nurse is in town to care for an ailing Don Filipo. Will he be the next victim?
暴雨之夜,一名神秘女子急敲一对老夫妇的家门,她有何求?擅长惊悚题材的阿根廷导演贡萨洛·卡尔扎达自编自导的最新力作,灵感源于他祖父母相知相守的关系。通过明晰的时间节点,将故事浓缩于一个晚上,以年近百岁的老人为叙事主线,借由交叉剪辑和大特写镜头,将他老年病症和错乱回忆视觉化,在多种镜像原理的作用下,快节奏呈现迟暮之年的内心愧疚与自我救赎。灵活运用对比色,模糊超自然现象与记忆的边界,于同一时空架起多维度视角,探求事实真相。
A man with the mental faculties of a child must save his mother, thereby becoming god and devil.
Captain Fedor Volkonogov is part of the law enforcement system. He is appreciated by the commander and respected by colleagues. But the moment comes for Captain's life to take the abrupt turn - he is criminally charged. Captain manages to escape prior to the arrest turning in a split of the second into prey hunted down by ex-colleagues. At night Fedor receives the warning from the afterlife that he is destined for Hell and eternal torments. Though Captain still has a chance to change the destiny and be accepted to Heaven under condition that he repents and at least one person grants him sincere forgiveness. Fedor sets on a mission to find absolution without idea of the trials he is to face on this route.
本片讲述一位曾精神受创的女子莫莉,在接受了一年多的治疗后终于出院了。为了开始新的生活,她搬到了新的公寓里。某天她听到了楼上传来了神秘的敲击声,而楼上的人却称没有听到任何声音。伴随着敲击声的次数越来越多,莫莉越发感觉到是有人在求救,但周围的人却认为她又发病了,莫莉也渐渐地歇斯底里了。这一切究竟是她的幻觉还是真实发生的呢?
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
我們的宗教就是你的宗教!不信我們的宗教就訓你!一群年輕女性,信奉容貌就該乾淨,舉止就該端莊婉約,交友就該純潔自愛。她們深信耶穌和傳統教條,殷切等待某日走進家庭婚姻;夜幕降臨,她們卻在城市裡襲擊她們眼中行為不檢點的單身女子,處以私刑一陣毒打,要求在鏡頭前懺悔,甚至傳網公審。
女子之一的瑪麗雅,在某次夜晚行動中傷到無暇的臉龐,留下傷疤,心中堅若磐石的信仰也逐漸崩解;得不到的永遠在騷動,她開始質疑自己的信仰,想起傳言中她們教訓過的一位女子,近乎毀容的臉龐。瑪麗雅精神上逐漸和那樣宛若梅杜莎的面容疊合⋯⋯面對社會沈重的期待、宗教窒息式的束縛,終於大聲吼叫出來!
Eight-month pregnant Sakshi must save herself and her unborn child from the evil within society and from the fear that lies in the paranormal world.